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[h1]BOF/BOFs: Birds of a Feather 意思[/h1]
1. 用於一般情境，就是指「物以類聚」
e.g. "Birds of a feather flock together" （同樣羽毛的鳥類團聚在一起，同好相吸、物以類聚
2. 用於電腦資訊討論，有幾種意思
(a) 在主題焦點正式形成之前，一個「不正式的討論團體」；如 IETF 在某主題正式成立前的初始會議，會叫做 BoF(s)。
(b) 在研討會會議中，由一群對某主題感興趣的與會者組成的非正式討論會。 （非事先規劃好的，稱之為 BOF Session）
(c) 或者在網路的討論串、IRC頻道、討論區、網站等，由同好所組成的 BOF Group 之類。
隨著風飄起的羽毛(2014-08-15 01:10) |
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嚇人的圖 2008/06/27(2014-08-15 00:54) |
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[h2]helm 主要有兩個意思[/h2]
(a) 舵 / 掌舵
(b) Helmet（頭盔、安全帽）的略稱
[h2]On the helm[/h2]
on the helm => 掌舵中、執導、操盤中。
e.g. Someone is on the helm. （某某人是操盤者，某某人正在掌舵中）
[h2]helmless 的意思[/h2]
簡單就是沒人掌舵，沒有方向、家裡沒大人的意思 (== without a helm)
(2014-08-13 00:45) |
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Big banner(2014-08-12 01:15) |
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[h1]吉卜力工作室要收掉關閉/結束營業？（美國報導評論翻譯）[/h1]
@ 2014/08/10 英文原文： http://edition.cnn.com/2014/08/10/world/asia/studio-ghibli-miyazaki-future/index.html
Watch a movie from acclaimed Japanese animators Studio Ghibli,
and you might see a boy turn into a flying dragon, a deer morph into a monstrous god,
or a fish transform into a young girl.
But with the retirement last year of 宮崎駿(Hayao Miyazaki), the studio's legendary co-founder, s
igns suggest the venerable and inimitable company is headed for a transformation of its own.
在日本吉卜力工作室出品的動畫，你可看到男孩幻化成飛龍，鹿變身成森林之神、或者魚轉化成一位女孩。
不過，隨著去年(2013)宮崎駿的退休（這位傳奇的工作室創辦人之一），
象徵著這具有歷史和獨特的動畫公司，要開始進行自我轉型。
In a Japanese TV interview last Friday, Ghibli co-founder 鈴木敏夫(Toshio Suzuki) said the firm needed to
"think about its future,"
and would be "changing the way we make (animation)."
He also speculated that Miyazaki might "make something again," though it might be a no more than a short film for
the Studio Ghibli museum.
在上週五(2014/08/08)的日本電視訪談內，另外一位創辦人鈴木敏夫(Toshio Suzuki)說到，
「吉卜力必須要思考一下他的未來。」他表示「可能要尋求改變製造動畫的流程」。
他同時也推測宮崎駿退休後，應該還會「畫些什麼」，然而應該頂多是「給吉卜力博物館的一段短片」
Suzuki's comments followed his own remarks from early last week, when he said Studio Ghibli would take a "brief break,"
leading to panicked online speculation
that the studio was about to close.
鈴木敏夫隨之表示「吉卜力可能需要短暫休息一下」，這段上週五的訪談，讓網路上的鄉民大為恐慌，
認為是否「吉卜力要收起來了？！」
A Ghibli representative told CNN the speculation was untrue, saying "Studio Ghibli has decided nothing officially for the future
of the studio."
Yet after concluding nearly three decades with Miyazaki at the helm, the fate of the company suddenly looks uncertain.
CNN 的記者訪問吉卜力，發言人表示「（吉卜力要結束營業）這並非事實。 目前吉卜力工作室尚未決定未來的道路。」
然而，在宮崎駿親手掌舵將近約 30 年後，吉卜力工作室命運目前看起來是前途未卜。
The studio has been producing hand-drawn animated films for decades, sticking to old-school, painstaking frame-by-frame methods
even as other studios have long
embraced computer-aided animation and CGI.
Every one of Studio Ghibli's hits -- from "My Neighbor Totoro" (1988) to "The Wind Rises" (2013) features a signature artistic
style -- delicately rendered characters,
exquisitely crafted environments, and an effortless sensation of movement.
吉卜力工作室堅持使用「手繪動畫」，這種傳統、一幀一幀的製作方式已經二三十年，
縱使其他的動畫業者，早就已經擁抱電腦動畫繪圖方式來製作動畫。
每片吉卜力賣座的動畫，從「龍貓（1988）」到「風起（2013）」，
都有精心刻畫的人物角色、細工雕琢的背景場景、以及一種讓觀眾感到毫不費力的故事步調感。
Anime expert Helen McCarthy says Ghibli has been able to perfect its hand-drawn tradition because it has employed the same animators for a very long time --
unlike many other studios, which rely on per-project contracts and short-term piecework.
美國動畫專家 Helen McCarthy 表示，吉卜力透過「長期雇用同一批的手繪動畫師團隊」，讓他得以達成手繪動畫作品的高品質傳統；
相比較之下，目前很多其他的動畫工作室，
都用「短期計畫、短期聘僱、短期合約」的方式來製造動畫。
"This means Ghibli can be sure of a consistent quality of artistry and craftsmanship," she said.
But as Ghibli's staff ages, the firm must figure out how to carry on with younger talent.
Helen McCarthy 表示「這種方式，造就了偉大的藝術成就，並持續產出穩定品質的動畫工藝」
但是，隨著時光的流逝，這批長期合作的動畫師也年歲增長，工作室必須想辦法讓年輕的畫師與工作人員繼承吉卜力。
(Studio Ghibli) is like a great violin... it has to be passed on to new players or else falls silent.
吉卜力就像是一支偉大古老的小提琴，現在應該交給新的演奏者，不然就是好好的收藏起來？
McCarthy says the Japanese studio has focused for decades on "the personal visions of two remarkable directors," Hayao Miyazaki and Isao Takahata -- both now in their 70s.
"(Studio Ghibli) is like a great violin, a Stradivarius maybe, in the hands of two great musicians.
Helen McCarthy 表示「吉卜力長久聚焦於兩位偉大動畫師的願景（宮崎駿、高畑勳），然而，這兩位大師現在都 70 多歲了。
吉卜力工作室就像是一支偉大的小提琴，也許就像是斯特拉迪瓦里琴(Stradivarius)， 過去由這兩位大師所演奏著，不斷拉出動人的音符。」
But when those musicians retire it has to be passed on to new players or else falls silent, because its structure is expensive to maintain."
What's next?
「隨著這兩位大師逐漸淡出幕前，這把小提琴（工作室）要逐漸交棒給新人，不然，就讓讓他靜靜的被收藏起來；
因為整個工作室組織維護起來的開銷，實在所費不貲。」
The big question: Can anybody succeed Hayao Miyazaki?
目前的最大問題： 有人能繼承宮崎駿嗎？
"Studio Ghibli has young creators, Goro Miyazaki and Hiromasa Yonebayashi," Studio Ghibli's representative told CNN.
"They are continuing to work for the studio."
But the films of Goro Miyazaki, -- Hayao Miyazaki's 47-year-old son -- and Yonebayashi, 41, \
have yet to achieve anywhere the success of the elder Miyazaki's work.
工作室發言人說「吉卜力工作室目前有兩位年輕的創作家，宮崎吾朗（47, 宮崎駿之子）和米林宏昌（41）；他們持續的替工作室做出貢獻」
然而宮崎吾朗和米林宏昌目前的動畫作品，賣座方面尚未達到宮崎駿作品的水準。
Hayao Miyazaki's 2001 epic, "Spirited Away," grossed a record-breaking $274 million worldwide and took home the Academy Award for Best Animated Feature.
n 2013, Miyazaki's swansong "The Wind Rises," made over $117 million.
宮崎駿 2001 年的經典作品「神隱少女（2001）」，創下了全球兩億七千四百萬美金的票房紀錄，並且獲得奧斯卡最佳動畫片獎。
而宮崎駿最後的執導「風起（2013）」，也有約全球一億一千七百萬千萬美金的票房。
By contrast, the studio's newest film, "When Marnie Was There," directed by Yonebayashi, is only expected to make $36 million.
Goro Miyazaki's 2013 "From Up on Poppy Hill" made about $61 million.
反過來看，米林宏昌的「回憶中的瑪妮（2014）」，約只有三千六百萬美金票房（約神隱少女 13%），
而，宮崎吾朗的「來自紅花坂（2011）」，也只賣了六千一百萬美金（約神隱少女 22%）
That's why the studio must now perform a sober self re-evaluation after enjoying years of steady success.
這些票房的退化，讓過去享盡光榮歲月工作室，現在必須好好清醒並自我評估規劃。
"We wanted to make a dream company," said Suzuki.
"We were able to realize (that dream) to some extent and we're very happy about that.
But now we're at a point where we've got to think about what we'll do next."
Should fans be worried? McCarthy says Ghibli's tradition of hand-drawn animation should survive,
as long as audiences "accept the high costs and the demands it places on the workers involved."
"Art is viable as long as people are willing to make it and buy it."
鈴木敏夫「我們最初的目標就是一家夢想公司。 我們努力去實現我們和觀眾的夢想，並對於這段時間的的成就感到愉悅。」
鈴木敏夫「但，我們現在正在一個抉擇點，要好好思考我們的下一步。」
粉絲和鄉民應該擔心嗎（吉卜力工作室結束關閉）？
美國動畫專家 McCarthy 表示「吉卜力工作室的手繪工藝動畫應該會繼續存活，只要觀眾繼續願意掏錢出來支撐工作室的大量人力開銷」
「藝術作品只要『有人願意做、有人願意買』，就會持續存在！」
(2014-08-11 15:06) |
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[h1]「extensive vs. extensible vs. flexible vs. elastic vs. adjustable」的中文意思分析比較[/h1]
1. "extensive"： 廣大、廣泛、廣博之意（和下面三個不太一樣，這裡舉出來是和 extensible 比較）
2. "extensible"： 可擴展的，可 Extend，可延伸的，泛指「可」擴展；但比較不強調有韌性和靈活的意味（但，也不代表沒有）。
3. "flexible"： 有彈性的；強調韌性、不容易斷 vs elastic。
4. "elastic"：有彈性的；強調靈活的、容易延伸並恢復原狀 vs flexible。
5. "adjustable"： 可調整的，比起 extensible 更強調「可伸也『可縮』」
總之，
2/3/4/5 英語意思接近，但要看場合使用。
{1 vs 2/3/4/5} 英文意思相差較大！
(2014-08-10 21:37) |
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[h1]英文前語：「老實講、基本上、事實上、一般來說、如我所知、因此、同樣的、相反的、嚴格來講」[/h1]
放在句子前面的（或最後的）「前綴詞語」
用來連結、轉折、摘要前後英文句子。
在英文（作文考試）的用途上，就是讓你的文章篇幅增加、強調狀況、
並且更容易看的懂前後關係。
1. 老實說 Honestly speaking, ...
2. 老實說 To be frank, ... (Frankly speaking, ...)
3. 老實說 To be honest, ...
4. 基本上 Basically, ...
5. 事實上 Actually,
6. 事實上 In fact,
7. 一般來說 Generally, ...
8. 就我所知 As is known to me, ...
9. 就我目前所知 As far as I know, ...
10. 因此 Thus, Therefore, ...
[hr]
11. 相同的/同樣的來說 Similarly, ...
12. 同個時間點 In the meanwhile, ...
13. 相反的來說 On the contrary, ...
14. 反過來看,反過來說 On the other hand, ...
15. 簡單來說: In brief, ...
16. 簡單來說 In short, ...
17. 然而 However, ...
18. 目前我所擔心的: As far as I'm concerned, ...
19 於是、所以: hence, thus, and then, thereupon, accordingly （用於句首轉折）
20. 理論上來說,從理論上講: Theoretically, In theory, In principle, In essence
[hr]
21. 從我的角度，從某某人的角度來看: From my viewpoint, from <SB>'s viewpoint ...
22. 在實際的應用上: In real practice, ...
23. 在最差的狀況下: In the worst case (scenario), ...
24. 在最好的狀況下: In the best case (scenario), ...
25. 藉著如此（連接上一句）: By doing so, ...
例句應用 By "V-ing" ...:
e.g. By cleaning up the shelf, she found the classic music box.
應用 By "V-ing" ...
By travelling to various customer's site, we could understand more requirements and details of their need.
[hr]
26. 嚴格來說： Strictly speaking, ...
27. 嚴格來講： Properly speaking, ...
28. 進一步來說，狹義地講： Narrowly speaking, ...
29. 精確的來說： Precisely speaking, ...
30. 不嚴格來說, 大致上來看： Loosely speaking, ...
31. 大略上來說： Broadly speaking, ...
32 一般來說： Generally speaking, ...
33. 摘要來說、簡略來說： Briefly speaking, ...
[h2]26~33 等項目分成兩類： <Adv-ly> + speaking[/h2]
「嚴格的、精確的、狹義的」：「strictly, properly, narrowly, precisely」 + speaking
「大致上、一般的、廣義的」：「broadly, loosely, generally, briefly」 + speaking
（注意）: 分成兩類不代表同類意思 100% 相同，而是接近。
[hr]
(2014-08-10 21:02) |
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[h1]日本料理食物英文、代表食物的「英文/英語」[/h1]
「日本料理」的英文： Japanese Cuisine / Japanese Ryori / Japanese Food
「懷石/懷石料理」的英文： Kaiseki / Kaiseki Ryori / Kaiseki Dinner
「味增/味增湯」的英文： Miso / Miso Soup / Miso Shiru
「定食」的英文： Teishoku / Combo meal / Set Meal / Fix Price
「漬物（泡菜/醃菜）」的英文： Tsukemono / Pickled things / Pickled Vegetables
「御飯（白飯）」的英文： White Rice / Rice / Gohan
「飯團」的英文： Rice Ball / Onigiri
「壽司」的英文： Sushi
「海苔卷」的英文： Nori roll / Makizushi
「軍艦卷」的英文： Warship roll / Gunkanmaki
「手卷」的英文： Temaki / Hand Roll
「握壽司」的英文： Nigirizushi / Hand-Pressed sushi
「散壽司」的英文： Scattered sushi / Chirashizushi
「稻荷壽司/豆皮壽司」的英文： Tofu-skin Sushi / Inarizushi
「笹壽司」的英文： Box Pressed sushi / Oshizushi
「迴轉壽司」的英文： Conveyor belt sushi / Kaitenzushi
「天婦羅」的英文： Tempura / Battered Fried Vegetables / Battered Fried Seafood
「生魚片/刺身」的英文： Sashimi / Sliced Raw fish / Sliced Raw meat
「清酒」的英文： Sake / Rice Wine
「便當」的英文： Bento / Meal Box / Lunch Box
「章魚燒」的英文： Takoyaki / Battered Octopus
「關東煮/黑輪」的英文： Oden / Boiled Eggs & Vegetables & Konjac(蒟蒻)
「蓋飯/丼物」的英文： Donburi / Don / Gyu-don (牛丼) / Oyako-don (親子丼) / Katsu-don (豬排蓋飯)
「蕎麥麵」的英文： Soba / Buckwheat Noodles
「拉麵」的英文： Ramen / Soup Noodles / Miso Soup Noodles（味增拉麵） /
Soy sauce Soup Noodles（醬油拉麵） / Pork bone broth Soup Noddles （豚骨拉麵）
「烏龍麵」的英文： Udon / Miso Udon / Soy sauce Udon / Cold Udon （冷烏龍麵）/ Yaki Udon （炒烏龍麵）
「咖哩/咖哩飯」的英文： Curry / Curry Rice / Curry Udon （咖哩烏龍麵）
「佃煮」的英文： Tsukudani / Simmered food
袖珍模型：日式燒肉(2014-08-10 20:27) |
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[h1]PHP image jpg file/filename batch rename PHP 同目錄檔案改名[/h1]
Usage: search specific filename($argv[2]) and rename it with argv[1] prefix
$ php rename.php
$ php rename.php vovo
$ php rename.php nana-blog jpg
代碼:
<?PHP
$dir = './';
$files1 = scandir($dir);
$i = 1;
if (isset($argv[1]) && trim($argv[1]) != '')
$filename_prefix = trim($argv[1]);
else
$filename_prefix = 'nana_';
if (isset($argv[2]) && trim($argv[2]) != '')
$filename_ext = '.'.trim($argv[2]);
else
$filename_ext = '.jpg';
$sz = 0;
foreach ($files1 as $val)
{
if (stristr($val, $filename_ext))
{
$sz++;
}
}
if ($sz <= 9)
$szfmt = '';
else if ($sz <= 99)
$szfmt = '02';
else
$szfmt = '03';
foreach ($files1 as $val)
{
if (stristr($val, $filename_ext))
{
$new_file = $filename_prefix.sprintf('%'.$szfmt.'d', $i).$filename_ext;
echo "$val --> $new_file \n";
$i++;
rename($val, $new_file);
}
}
?>
$ php /tmp/rename.php vovo
image_1.jpg --> vovo01.jpg
image_10.jpg --> vovo02.jpg
image_11.jpg --> vovo03.jpg
image_12.jpg --> vovo04.jpg
image_13.jpg --> vovo05.jpg
image_14.jpg --> vovo06.jpg
image_15.jpg --> vovo07.jpg
image_16.jpg --> vovo08.jpg
image_17.jpg --> vovo09.jpg
image_18.jpg --> vovo10.jpg
image_2.jpg --> vovo11.jpg
image_3.jpg --> vovo12.jpg
image_4.jpg --> vovo13.jpg
image_5.jpg --> vovo14.jpg
image_6.jpg --> vovo15.jpg
image_7.jpg --> vovo16.jpg
image_8.jpg --> vovo17.jpg
image_9.jpg --> vovo18.jpg
(2014-08-10 18:04) |
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[h1]2014/08/10 Yahoo! Proxy/Load Balancer 出現錯誤[/h1]
Location: tw.autos.yahoo.com
Date: 2014/08/10 12:00 ~ 14:00 (+08:00)
代碼:
@@ https://tw.autos.yahoo.com/
Not Found on Accelerator
Description: Your request on host "tw.autos.yahoo.com" was not found. Check the location and try again.
|
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[h1]2014 新人王網站設計大賽[/h1]
官方網站： http://2014.netking.tw/
線上報名： http://2014.netking.tw/index02.html
[h2]活動主旨[/h2]
TWNIC為協助推展網際網路應用之普及，舉辦新人王網站設計大賽，透過競賽的方式，發掘及表揚網站設計創作人才，以代表台灣頂級國碼「.tw/.台灣」之域名作為網站的識別，結合網站內容設計及鋪陳，表達出台灣特色及美麗，同時提供「.tw/.台灣」新創網站表現的機會。
[h2]參賽資格[/h2]
報名須具備有以TWNIC所提供十種類型之一的.tw/.台灣域名所建置之專屬作品網址(例如： http://www.twnic.net.tw)，不得為子域名及子目錄。
[h2]參賽規格[/h2]
1.參賽作品網站至少包含首頁及單元頁/內頁等10頁(含)以上，
2.須為民國103年1月1日後建置之網站，且未曾參與其他同性質競賽。
報名時間即日起至民國103年11月3日24:00止。
[h2]參賽主題「發掘台灣新亮點」。[/h2]
主題說明耀眼台灣，處處是亮點。物產豐隆、氣候宜人是生活在台灣這美麗土地上每一個人的驕傲。本屆新人王網站設計比賽以「發掘台灣新亮點」為主題，將最值得推薦的台灣亮點作為設計發想主題，透過網站內容的呈現，構思您心目中認為最值得推薦的台灣新亮點， 用網站描繪出你心目中的亮點台灣。
設計方向參賽者依本屆參賽主題，將您的創作理念建置成參賽作品網站，得運用新一代網路技術或社群媒體之結合，表現出具內容性及創意創新之網站，用網站來傳遞寶島土地最發光發亮的一面。舉凡寶島風情文化新亮點、觀光旅遊新亮點、美食名產新亮點、娛樂演藝新亮點、經濟政績新亮點等等，用台灣的亮點來點亮世界目光。
[h2]參賽規則[/h2]
一、報名參賽可以個人或團隊方式報名參加。如以團隊方式報名者，一隊至多四人，報名時須推舉一位為團隊代表人，作為參賽相關通知聯繫對象及獲獎獎金領取代表等。
二、本活動採取網路線上報名，參賽報名須完成下列程序：
1.線上報名填寫參賽報名表及上傳首頁圖檔(建議320*240、100Kbytes內)。
2.報名後將參賽作品完整檔案上傳提供主辦單位存查。
3.繳交參賽同意書。(請參賽者自行下載列印參賽同意書，並於填妥資料及簽名後，將正本郵寄至：財團法人台灣網路資訊中心，地址：100台北市中正區羅斯福路二段9號4樓之2，TWNIC新人王比賽收；若為團體參賽，每位隊員均須繳交參賽同意書)。
三、參賽者完成報名程序並經審核通過後，主辦單位將於網站公布所有通過審核之參賽者列表，並寄發一封附有參賽專用帳號及密碼之email，參賽者需依規定於民國103年11月10日前將參賽作品傳送至主辦單位指定之網頁空間，此網頁空間僅作為主辦單位存檔參賽作品使用，並非提供您網站之網頁空間。
四、參賽者需保證參賽作品為原始創作，未侵害任何第三人之智慧財產權，並同意主辦單位得進行數位化典藏、重製、印刷出版，與透過網路、數位光碟或印刷媒體公開傳播。
五、主辦單位將直接連結瀏覽參賽作品網站進行評審，請務必保持網站可正常連結。
[h2]比賽獎項[/h2]
第1名 (1位)：獎金100,000元及獎座
第2名 (1位)：獎金50,000元及獎座
第3名 (1位)：獎金30,000元及獎座
佳 作 (3位)：獎金10,000元及獎座
如經評審決定，各獎項名次得從缺或增加。如有特別或特具創意之作品者，經評審決定可增列評審團特別獎項。
活動時程
評審方式本比賽之評分作法將連結至您報名所提供之參賽作品網址，直接於線上瀏覽網站內容後進行評分，參賽者(團隊)請於規定時間內完成網頁製作及網站開通，並請務必確保網站正常連結。
[h2]評 審 [/h2]
團採專家共同評選制度，敬邀行銷創意、文化藝術、資訊科技、媒體、網路服務等領
域的專家學者組成評審團，擔任各階段評審。
評審作業將分為初審、複審及決審等階段。
一、初/複審：預定11月中下旬進行，初/複審階段評審將實際連結至參賽者以.tw/.台灣網域名稱所架設之網站，依評分標準選出入圍作品。
二、決審：預訂於103年12月擇一時間舉行決審暨頒獎活動。入圍者須親至頒獎典禮會場進行參賽作品介紹說明簡報，每組8-10分鐘(暫定)，由評審委員針對入圍作品現場評分，經由評審委員現場討論決定名次，選出第1名、第2名、第3名及佳作等名次，如經評審決定，名次可從缺或增加。如有特別或特具創意之作品者，經評審決定可增列評審團特別獎項。
評分標準
其他事項
參賽作品應為原始創作，凡涉有抄襲或侵害他人著作權者，除得以取消敘獎資格、追回獎金外，一切法律責任概由參賽者自行負責，並應賠償主辦單位之損失。
參賽作品僅限參加此次競賽，得獎作品如經檢舉有抄襲、瓜代或以其他比賽曾獲獎項作品參賽之情形，將取消得獎資格並回收獎金及獎座，並自行負責相關法律責任。
參賽作品不得有毀謗他人，發人隱私或其他侵害他人權利或違法之內容。如有違反法律規定，參賽者應自行負責。本中心並將依情節輕重，採取必要之措施，包括取銷得獎資格，追回獎金等。
參賽作品無論錄取與否均不退件，請參賽者自留檔案。
得獎者將個別通知，並於本活動網站公告之；未得獎者將不另外通知。
獎金將頒與報名表之代表人，報名表之資料均不得更改。
依據中華民國稅法規定，獎項價值超過NT$20,000元者及獲獎獎金者，主辦單位依法代扣得
獎者繳10%所得稅；而外藉人士一律先行代扣，稅率為20%。
參賽者需服從評審之決定。如有發生糾紛，並應服從本中心所為之裁決。
主辦單位若發現參賽作品有違反本比賽規則所列之規定者，參賽者須自行負責且主辦單位得取消其參賽資格。若為得獎作品，則追回獎金及獎品並公告之。如造成第三者之權益損失，參賽者須自行承擔，不得異議。
凡報名參賽者，即視同承認本報名規定的各項內容及規定，本活動參賽規則如有異動，依本活動網站最新消息公布為準。主辦單位保有所有相關活動最終解釋權與活動更改之權利。 (2014-08-09 00:35) |
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[h1]Linux Kernel 3.17 (@ 2014) 的 2038 年解法[/h1]
增加一個 timespec64 structure, 其中 tv_sec 使用 time64_t (64-bits)
代碼:
struct timespec {
__kernel_time_t tv_sec; /* seconds */
long tv_nsec; /* nanoseconds */
};
struct timespec64 {
time64_t tv_sec; /* seconds */
long tv_nsec; /* nanoseconds */
};
(2014-08-07 19:30) |
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[h1]Skype: 遇到磁碟 I/O 錯誤，無法登入 Skype Windows 7/8/8.1[/h1]
[h2]Skype Sign in Disk I/O Error - 磁碟錯誤無法登入！[/h2]
a. 這個症狀通常發生在「升級硬碟 / 升級 SSD」之後
b. 只要 Windows 7/8/8.1 進入睡眠 or 休眠狀態
c. 喚醒之後，Skype 就不會自動登入，取而代之的是「磁碟 I/O 錯誤」
d. 縱使你輸入正確的密碼，還是看到「I/O 錯誤！」（這應該是 bug）
[h2]Skype 磁碟 I/O 錯誤登入，兩種方法可解決 (for Windows 7/8/8.1) [/h2]
1. （暫時解法）
1.1 按下 Skype Icon --> 右鍵 --> 關閉結束 Skype
1.2 然後重開 Skype ，應該就可以登入（但下一次遇到，還是要這樣做）
=================================================
2. （重灌解法）
2.1 新增或移除程式 --> 移除 Skype
2.2 刪除 C:\programdata\skype
2.3 抓「最新版本的」的 Skype
http://www.skype.com/zh_TW/download-skype/ （繁體中文 Skype）
http://www.skype.com/zh_CN/download-skype/ （簡體中文 Skype）
http://www.skype.com/en/download-skype/ （英文 Skype）
2.4 安裝上述最新 Skype
=================================================
[h2]3. 或者，用刪除個人 skype 目錄的方式，看這一篇[/h2]
e.g.
代碼:
備份 Backup: C:\Users\<Windows_Username>\AppData\Roaming\Skype\<Windows_Username>
刪除 Delete: C:\Users\<Windows_Username>\AppData\Roaming\Skype\<Windows_Username>
細節看此：
https://support.skype.com/en/faq/FA10143/why-do-i-get-a-disk-i-o-error-when-i-try-to-sign-in-to-skype-for-windows-desktop
_
[h2]Mac OS X (iMac/MacBoox Air) Skype 使用者請看這邊[/h1]
=> https://support.skype.com/en/faq/FA12079/why-do-i-get-a-disk-i-o-error-when-i-try-to-sign-in-to-skype-for-mac-os-x
[h1]如果不管重灌、刪除目錄等等...上述方法都無效？[/h1]
那很有可能你的 %TEMP% or %TMP% 跑掉了！
==> 這常見於你把 %TEMP% or %TMP% 設在外接硬碟
請進入 cmd.exe command line mode
--> echo %tmp%
--> dir %tmp%\skype*
如果 echo or dir 其中之一有 error ，那就是 temp 設定跑掉了！
把 %TEMP% %TMP% 乖乖的指回 C:\temp\ or 存在且沒問題的 folder。
代碼:
C:\>echo %tmp%
D:\tmp
C:\>dir %tmp%\skype*
磁碟區 D 中的磁碟是 SD-64G
磁碟區序號: 1E29-F2A8
D:\tmp 的目錄
2014/08/30 下午 04:03 <DIR> Skype
2014/08/03 下午 09:38 26,509,312 Skype.msi
1 個檔案 26,509,312 位元組
1 個目錄 31,201,820,672 位元組可用
目前的想法是「Skype Exception Handling 太弱了...遇到 I/O Error 整個就傻掉」
最低限度 skype i/o error handling
==> 最少提供一下 Skype 在哪些 Files Access 遇到 I/O error。
最好的作法則是
==> 持續提供警告訊息，但是還是讓你暫時登入！ 因為畢竟不是網路問題。 Local Disk error 應該有辦法產生 temp file 應急。(2014-08-06 15:18) |
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[h1]PHP7 vs PHP6 投票結果 (PHP 7 獲勝)[/h1]
PHP6 (24 票) vs PHP7 (58 票)
_(2014-08-02 19:52) |
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[h1]味覺障礙/異常 (Dysgeusia) + 味覺退化 (Hypogeusia) + 味覺喪失(Ageusia)[/h1]
味覺退化：對於味道的反應，酸甜鹹苦辣的承受度變高（也就是反應度變小）
味覺喪失：對於味道，部分或全部完全喪失反應（比退化嚴重），嚐不出味道，吃不出食物酸甜苦辣鹹等味道。
味覺障礙/異常：綜合泛指「味覺退化 & 味覺喪失」！
[h2]1. 背景：味覺障礙的成因原因：[/h2]
1.1 口腔、舌頭、喉嚨、食道都有或多或少的「味蕾」組織，這些組織約 10 天會代謝一次。味蕾又包含「30 ~ 80 個受體細胞」，
受體細胞串接味蕾根部的傳導神經（鼓索神經/舌咽神經/迷走神經等）到腦部。以人類來說，腦細胞有三種細胞負責味覺。
味蕾/受體細胞 -> 神經 -> 腦部，這條路徑只要有人出錯，就會出現味覺問題。
1.2 舉例：癌症化療（唾液缺乏）、相關藥物影響（如：類固醇、開刀麻醉）、缺乏某種營養（如：鋅）、舌頭或口腔傷害（如：牙周病、燙傷）、壓力（如：車禍事故）、神經失調或感染（感冒）、自然老化、腦內疾病等
[h2]2. 味覺障礙症狀/病徵[/h2]
2.1 吃東西沒味道、吃東西有某種味道（金屬味道、鐵澀味道）、或者以前覺得很辣很甜的，現在吃起來沒有那麼重口味了。
2.2 有時也伴隨其他感官障礙的症狀（如嗅覺障礙）
2.3 如果是短期造成的（如太冰的食物、麻醉等），大概數個小時會症狀消失。
2.4 如果是中期的傷害（如輕微燙傷、感冒等），大概等 10 天細胞代謝完成，味覺應該會慢慢恢復。
2.4 如果是長期傷害（如神經病變或者神經切除），則可能這個味覺障礙疾病會一直存在，甚至無法康復。
[h2]3. 味覺障礙的診斷與治療[/h2]
=> 由於原因很多，要先判斷出到底是哪一個原因並不容易；也很可能是多個原因混合；請洽詢醫生進行專業診斷。
（耳鼻喉科、家醫科、神經免疫科、牙醫等）
=> 醫生診斷後，可能開給你「人工唾液、毛果芸香鹼（唾液刺激）、鋅補充錠、硫辛酸等類維生素」等
=> 當然如果是牙周病、神經感染、長期壓力、或者化療導致，可能要先解決根本原因才能進行下一步治療。
棒棒糖(2014-08-02 19:28) |
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原文：
這裡是英文原文（其實也是「日翻英」），出處是夏威夷大學 (2010 URL existed!)
不過 2014 年 URL 連過去已經 404 Not found
http://www.hawaii.edu/asiaref/okinawa/digital_archives/karate_museum.html
代碼:
Master Chojun Miyagi At The Meeting In 1936
Remarks: This is a part of the meeting records. It appears as an appendix in the book, "Karatedo Dai Hokan" written by Kanken Toyama. Pages 377-392 (Tsuru Shobo, 1960).
"The Meeting of Okinawan Karate Masters"
Time and Date: 4:00 pm, October 25, 1936
Place: Showa Kaikan Hall, Naha, Okinawa
This meeting was held by Ryukyu Shinpo Newspaper Publisher
Those who attended the meeting are as follows.
Karateka: Chomo Hanashiro, Chotoku Kyan, Choki Motobu, Chojun Miyagi, Juhatsu Kyoda, Choshin Chibana, Shinpan Shiroma, Chotei Oroku, Genwa Nakasone
Guests: Koichi Sato, Zenpatsu Shimabukuro, Kitsuma Fukushima, Eizo Kita, Chosho Goeku, Gizaburo Furukawa, Sei Ando, Choshiki Ota, Kowa Matayoshi, Zensoku Yamaguchi, Tamashiro
Genwa Nakasone: When karate was first introduced in Tokyo, the capital of Japan, "karate" was written in Kanji (= Chinese character) as "Chinese Hand". This name sounded exotic, and gradually accepted among people in Tokyo. However, some people thought this Kanji "Chinese Hand" was not appropriate at schools. In order to avoid the use of this Kanji, some karate dojo wrote "karate" in Hirakana (= Japanese phonetic letters) instead of Kanji. This is an example of temporary use of the word. In Tokyo, most karate dojo use the Kanji "Empty Hand Way" for karate-do, although there are still a few dojo using the Kanji "Chinese Hand." In order to develop Japanese martial arts, I think Kanji for "karate" should be "Empty Hand" instead of "Chinese Hand" and "Karate-Do" should be the standard name. What do you think?
Chomo Hanashiro: In the old days, we, Okinawan people, used to call it "Toodii" or "Tode", not "Karate." We also called it just "Tii" or "Te." It means fighting with hands and fists.
*Translator's note:
Pronunciation for the Kanji written as "Chinese Hand" has two ways:
1) Toodii or Tode (Okinawan dialect)
2) Karate
Pronunciation for the Kanji written as "Empty Hand" has only one:
1) Karate
Ota: We, too, called it "Toodii" or "Tode."
Shimabukuro: Mr. Nakasone, I hear nowadays people call "Karate-Do" for karate. Does this mean people added the word "Do" (= literally means the Way) to the name "Karate" for emphasizing the importance of spiritual training like Judo and Kendo?
Nakasone: They use the word "Karate-Do" in the meaning of cultivation of the mind.
Ota: Mr. Miyagi, do you use the word "Chinese Hand" for karate?
Chojun Miyagi: Yes, I use the Kanji "Chinese Hand" as most people do so. It has minor meaning. Those who want to learn karate from me come to my home and say "Please teach me Tii or Te." So I think people used to call "Tii" or "Te" for karate. I think "Karate" is good in the meaning of the word. As Mr. Shimabukuro said, the name "Jujutsu" was changed to "Judo." In China, in the old days, people called Hakuda or Baida for Chinese kungfu, Kenpo or Chuanfa (= Quanfa). Like those examples, names changes according to times. I think the name "Karate-Do" is better than just "Karate." However, I will reserve decision on this matter, as I think we should hear other people's opinions. We had a controversy on this matter at the meeting of Okinawa Branch of Dai Nippon Butokukai. We shelved this controversial problem. In the mean time, we, members of Okinawa Branch, use the name "Karate-Do" written in Kanji as "The Way of Chinese Hand." Shinkokai (= a karate promotion center) will be formed soon, so we would like to have a good name.
Oroku: Mr. Miyagi, did you go all the way to China for studying karate?
Chojun Miyagi: At the beginning I had no plan to practice kungfu in China, but I found the kungfu excellent, so I leaned it.
Oroku: Have there been our own "Te" here in our prefecture, Okinawa, for a long time?
Chojun Miyagi: There have been "Te" in Okinawa. It has been improved and developed like Judo, Kendo and boxing.
Kyoda Juhatsu: I agree to Mr. Nakasone's opinion. However, I am opposed to making a formal decision right now at this meeting. Most Okinawan people still use the word "Chinese Hand" for karate, so we should listen to karate practitioners and karate researchers in Okinawa, and also we should study it thoroughly at our study group before making a decision.
Chojun Miyagi: We do not make a decision immediately at this meeting.
Matayoshi: Please express your opinion honestly.
Chomo Hanashiro: In my old notebooks, I found using the kanji (= Chinese character), "Empty Hand" for karate. Since August 1905, I have been using the kanji "Empty Hand" for karate, such as "Karate Kumite."
Goeku: I would like to make a comment, as I have a relation with Okinawa branch of Dai Nippon Butokukai. Karate was recognized as a fighting art by Okinawa branch of Dai Nippon Butokukai in 1933. At that time, Master Chojun Miyagi wrote karate as "Chinese Hand." We should change his writing "Chinese Hand" into "Empty Hand" at Okinawa branch if we change the Kanji into "Empty Hand." We would like to approve this change immediately and follow procedure, as we need to have approval of the headquarters of Dai Nippon Butokukai.
Ota: Mr. Chomo Hanashiro is the first person who used the kanji "Empty Hand" for karate in 1905. If something become popular in Tokyo, it will automatically become popular and common in other part of Japan. Maybe Okinawan people do not like changing the kanji (= Chinese character) of karate. But we would be marginalized if the word "Chinese Hand" is regarded as a local thing, while the word "Empty Hand" is regarded as a common name for karate as a Japanese fighting art. Therefore we had better use the word "Empty Hand" for karate.
Nakasone: So far the speakers are those who have been living in Okinawa for a long time. Now I would like to have a comment from Mr. Sato, the director of the School Affairs Office. He came to Okinawa recently.
Sato: I have almost no knowledge about karate, but I think the word "Empty Hand" is good, as the word "Chinese Hand" is groundless according to the researchers.
Furukawa: The kanji written as "Empty Hand" is attractive for us who came from outside Okinawa, and we regard it as an aggressive fighting art. I was disappointed when I saw the kanji "Chinese Hand" for karate.
Nakasone: This time, I would like to have a comment from Mr. Fukushima, the Lieutenant of the Regimental Headquarters.
Fukushima: The kanji "Empty Hand" for karate is appropriate. The kanji "Chinese Hand" for karate is difficult to understand for those who do not know karate.
Ota: There is no one who do not like the word "Empty Hand" for karate, but
there are people who do not like the word "Chinese Hand" for karate.
Chojun Miyagi: Well, when I visited Hawaii, Chinese people there seemed to have friendly feeling toward the word "Chinese Hand" for karate.
Shimabukuro: Here in Okinawa, we used to call "Tii" or "Te" for karate. To differentiate from it, we called "Toodii" or "Tode" for karate that was brought from China.
Nakasone: I think we have almost made clear about the name of karate. Now we would like to discuss about the promotion of karate. It is regrettable that karate is no popular in Okinawa at present. We need to find a solution to promote karate in the fields of physical education and martial arts education.
Furukawa: There are a lot of Ryu or styles in karate now. I think we have to unify them at any cost. I hear there are small differences between Shuri style karate and Naha style karate. I think both styles should be unified and we should make Kata of Japanese Karate-do. In the old days, we had about 200 styles of Kendo (= swordsmanship), but now they have been unified and we have the standard Kata of Japanese Kendo. I think karate would become popular all over the country if we had the unified Kata. For example, we can newly establish ten Kata as Japanese Karate. The name of each Kata should be changed into Japanese, such as Junan-No-Kata (soft and stretch kata), Kogeki-No-Kata (= offensive kata) and so on. In this way, we can conform the name of Kata to its content. And I also think we should make karate a competitive sport, so we should study how to hold a game of karate. We would like to make a uniform of karate and standardize contents and forms.
Chojun Miyagi: I agree to your opinion. With regard to Kata of karate, I ever submitted the opinion with explanation to the headquarters of Dai Nippon Butokukai (= national fighting arts association), when its Okinawa branch was established. As to karate clothes, we also would like to make karate uniform soon as we often have problems. As for terminology of karate, I think we will have to control it in the future. I am also advocating it, and I have been making new technical words and promoting them. Regarding Kata, I think traditional Kata should be preserved as old or classic Kata For the nationwide promotion of karate, I think we had better create new Kata. We will create both offensive and defensive Kata which are suitable for students of primary schools, high schools, universities and youth schools. Mainly, we, the members of Shinkokai (= karate promotion association), will make new Kata and promote them throughout Japan. Now there are Physical Education Association and Okinawa Branch of Butokukai. We also have senior students of karate and those who are interested in karate. We, therefore, cooperate with them to study and promote karate. If such organizations and experts study karate thoroughly, we can make a decision about the karate name issue and karate uniform relatively soon. I think the old Kata should be preserved without any modification while new Kata should be invented, otherwise I am convinced that no one will be interested in karate any longer in the world in the future.
Ota: How many karate organizations are there in Okinawa at present?
Chojun Miyagi: There are Okinawa Branch of Dai Nippon Butokukai, Physical Education Association of Okinawa Prefecture and Physical Education Association of Shuri City.
Ota: Mr. Chibana, how many students do you have now at your karate dojo?
Choshin Chibana: I have about 40 students at my karate dojo.
Chojun Miyagi: There is an opinion insisting that there are two Ryu or styles in karate, namely, Shorin-Ryu and Shorei-Ryu. I think such an opinion is wrong or false, as there is no evidence at all. However, if we have two styles in karate, we can categorize them by their teaching methods. In one style, they do not even differentiate between Fundamental Kata (= Kata such as Sanchin, Tensho and Naifanchi) and Kaishu Kata (= Kata other than Sanchin, Tensho and Naifanchi). They teach karate unsystematically and unmethodically. In the other style, they differentiate between Fundamental Kata and Kaishu Kata clearly. They teach karate systematically and methodically. My teacher (= Master Kanryo Higaonna) taught me karate in the way of the latter.
Ota: Karate masters we know did not go to China to study karate.
Chojun Miyagi: I have heard that Master Matsumura went to China and practiced karate there.
Choshin Chibana: Our teacher taught us Naifanchi as a Fundamental Kata.
Ota: Mr. Motobu, who taught you karate?
Choki Motobu: I learned karate from Master Itosu, Master Sakuma and Master Matsumora of Tomari village.
Ota: I thought you created your own karate on your own without learning from karate masters.
Choki Motobu: (laughing) No, I did not create my karate on my own.
Nakasone: Now we know every karate masters have agreed to the plan to establish a karate promotion association. As Mr. Furukawa told us the necessity of founding a karate promotion association, we think the other people also seem to agree to this plan. So we would like the members to start the preparation for establishing it.
(2014-08-02 18:29) |
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[h1]結果是空包彈，連回 BethSoft.com[/h1]
結果 thesurvivors2299.com 還是空包彈，
連回 bethsoft.com
但是六月份公佈了 DOOM4 的過場動畫 影片！
https://www.youtube.com/watch?v=cYjR5UzhcZA
[影片/動畫]
代碼:
* Connected to thesurvivors2299.com (208.73.210.205) port 80 (#0)
> GET / HTTP/1.1
> User-Agent: curl/7.35.0
> Host: thesurvivors2299.com
> Accept: */*
>
* HTTP 1.0, assume close after body
< HTTP/1.0 200 (OK)
< Cache-Control: private, no-cache, must-revalidate
* HTTP/1.0 connection set to keep alive!
< Connection: Keep-Alive
< Pragma: no-cache
< Server: Oversee Turing v1.0.0
< Content-Length: 1442
< Content-Type: text/html
< Expires: Mon, 26 Jul 1997 05:00:00 GMT
< Keep-Alive: timeout=3, max=97
< P3P: policyref="http://www.dsparking.com/w3c/p3p.xml", CP="NOI DSP COR ADMa OUR NOR STA"
< Set-Cookie: parkinglot=1; domain=.thesurvivors2299.com; path=/; expires=Sun, 03-Aug-2014 08:59:37 GMT
<
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<!-- turing_cluster_prod -->
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(2014-08-02 16:50) |
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人物設定-魔君 - Demon Lord
INVADE 入侵 - Invade
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