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第三屆麗寶國際雕塑雙年獎 ~ 2015/2016,總獎金「500萬」台幣
第三屆麗寶國際雕塑雙年獎 ~ 2015/2016,總獎金「500萬」台幣




Type(Type) 2015/8/30 11:56

第三屆麗寶國際雕塑雙年獎



THE 3rd LIH PAO INTERNATIONAL SCULPTURE BIENNIAL AWARDS

官方網站: http://www.lihpao-sculpture.com/
線上報名: http://www.lihpao-sculpture.com/register.php?type=3

簡章: (中文) http://lihpao.com.tw/beautiful/2015/pdf/20150818_c.pdf

(english): http://lihpao.com.tw/beautiful/2015/pdf/20150818_e.pdf



活動宗旨


結合生活空間為創作展示場域,透過原創之藝術語彙,讓國際雕塑藝術創作在台灣交匯,達到國
際交流及文化藝術走入民眾生活之目的。

徵件主題:蛻變


為善一方,澤被大千,
功德成圓,是為方圓。
文字初現,文明始見,
文化演進,仍在蛻變。
將文字的演進與我們這個世代做一個連結,透過作品把這兩者之間的關聯與蛻變,以「雕塑」的
語言形塑出來,藉以向人類文明之始―文字,致敬!





參賽資格:從事藝術創作之國內外人士



一、參賽作品須為個人之獨立創作,最多以二件為限。
二、參賽作品若涉及智慧財產權之侵害,由法院判決確定者,得獎者應繳回原發給之獎金,主辦
單位不負任何法律責任。另參賽作品有下列情況者,主辦單位得逕予取消其資格,四年內不得參
賽。
1. 非原創或抄襲、臨摹、冒名頂替他人作品者。
2. 曾在國內外公開徵件美展或比賽中得獎之作品、國內外參加競賽性展覽之作品(參加學校競賽
性展覽不在此限)

報名方式


一、 一律採取網路報名:請參賽者依報名流程於麗寶國際雕塑雙年獎活動網站填寫參賽者基本資
料、參選作品資料及參賽同意書,並將本次參賽模型作品之正、背、左、右、俯視、三視角度圖
等6 張照片上傳,以及近二年創作之作品照片2~4 張上傳。
二、 每位參賽者皆需提交3 分鐘作品影片,說明方式可自行發揮。影片請提供HD1280×720 以
上模式,自行上傳至 YouTube 網站,並將上傳完畢之網址連結複製至報名表影片欄位中,即完
成報名手續。請注意!
上述資料缺件者,將無法報名,視同放棄參賽權益。

報名注意事項


一、 所有參賽者請一律繳交實體模型作品照片,嚴禁上傳手繪草稿、電腦3D 模擬圖,不符合參
賽規定者,主辦單位保留接受報名與否之權利。
二、 創作理念文長以100 字至300 字為限,文體不拘、每張圖片1MB 以下、300dpi 解析度之
JPG 檔案格式作品圖檔,上傳檔名加註作品名稱及角度,例如初生- 正、初生- 背、初生- 俯視
等。
三、 請參賽者將繳交資料備齊後一次上傳,資料未齊或格
式不符者,系統將無法送件。
四、 報名成功後,系統將提供各位參賽者一組網路送件編號,以確認資料成功寄出。若送件後未
出現報名編號,請參賽者檢視是否報名資料有漏填、圖片是否未上傳或請洽主辦單位。

徵件作業時程


一、 初審報名: 2015年09月01日~2015年12月31日下午5時止
二、 初審入圍公佈:2016 年03 月,當月公布於麗寶文化藝術基金會、英國文化協會與麗寶國
際雕塑雙年獎活動網站。
三、 複審成品送件和寄送:2016 年04 月01 日~2016 年07 月31 日,如未依時寄送,則以
棄權論。
四、 複審得獎公佈:2016 年9 月,當月公布於麗寶文化藝術基金會,英國文化協會與麗寶國際
雕塑雙年獎活動網站。
五、頒獎典禮:2016 年10 月,時間及地點另專函通知。
註:作業時間如有更動,以主辦單位通知為準,並即時於網站公布。
評選說明
一、 創作材質:金屬、陶土、木、石、FRP…等保存性高之材質為主,材質不安定或具有危險性
者請勿使用。
1. 評選方式分為初、複審二個階段,經初審評選後,遴選出二十件作品進入複審。
2. 複審送件作品尺寸長、寬、高三邊總和必須介於180 公分~240 公分,不含底座尺寸,底座尺
寸由創作者自訂。尺寸如不符合上述規則,將喪失評選資格。
二、評審標準:
1. 主題詮釋30%
2. 造形與技法表現30%
3. 作品整體性40%
獎勵辦法
一、金 獎: 1名, 獎金新臺幣1,000,000元
獎座乙座、獎狀乙張
二、銀 獎: 1名, 獎金新臺幣700,000元
獎座乙座、獎狀乙張
三、銅 獎: 1名, 獎金新臺幣500,000元
獎座乙座、獎狀乙張
四、優選獎: 17名, 獎金新臺幣150,000元
獎狀乙張
五、人氣獎:1名,獎金新臺幣30,000元
※「人氣獎」獎項將於第一階段( 初審) 參賽者繳交之影片,經大眾投票
由網路評選產生。並於麗寶國際雕塑雙年獎活動網站 www.lihpao-sculpture.com 公佈得主。
※ 為鼓勵創作,以上獎勵得視參賽作品水準,由承辦單位酌予增減或從缺。
※ 依稅法相關規定,國內得獎者競賽獎金超過新臺幣20,000 元以上,同意由主辦單位代扣獎金
10% 之所得稅及2% 補充健保費,國際得獎者競賽獎金超過新臺幣10,000 元以上,同意由主辦
單位代扣獎金20% 之所得稅。
獎金匯款需知
一、 所有匯款手續費由國內外得獎者自行負擔。
二、 國外:匯款幣別僅接受€(歐元)、$(美金)及¥(人民幣)帳戶。
作品運費補助
一、 除本屆金、銀、銅獎得主之外,麗寶文化藝術基金會另提供17位優選獎得主作品運費之補
助,除優選獎金,優選獎得主另各獲得作品運費補助費,每名新台幣1萬元整。
二、作品運費補助費將與優選獎金一起匯款。
展覽作業時程
一、 得獎作品巡迴展
台中巡迴展- 2016 年08 月~2016 年09 月
台北巡迴展- 2016 年10 月~2016 年11 月
高雄巡迴展- 2016 年12 月
二、 得獎作品巡迴展覽時間和地點,將於麗寶國際雕塑雙
年獎活動網站www.lihpao-sculpture.com 公告。
作品歸屬
一、 第三屆麗寶國際雕塑雙年獎得獎作品均不予退還,並由主辦單位永久典藏,不另給予典藏費,
主辦單位對該典藏作品有權永久保存及無償使用。
二、 主辦單位有權將得獎者之作品作為攝影、展覽、數位化,編輯、出版、印刷、研究、推廣、
宣傳、登載網頁、公開展示、文宣廣告等相關用途,使用次數不受限制。
報名資訊
若有疑問,請洽以下單位洽詢
一、 台灣參賽者請洽麗寶文化藝術基金會
art@mail.lihpao.com.tw
二、 海外參賽者請洽英國文化協會
2015sculpture@britishcouncil.org.tw
訊息公告依網站活動辦法為主,請詳見活動網站
www.lihpao-sculpture.com
主辦單位保有修改、變更本活動之權利,如有未盡事宜,悉依主辦單位相關規定或解釋辦理,並
得隨時補充公告。
關於麗寶文化藝術基金會
麗寶文化藝術基金會由麗寶集團於2003 年贊助成立。一直以來致力於推動建築、教育、藝術、
社區和公益五大領域的活動,目的在於積極投入藝文展演活動,深耕在地,邁向國際,期許透過
藝術的融合與交流,為台灣的文化願景盡一份心力。
麗寶國際雕塑雙年獎為二年一次全球性的活動,也是台灣第一個針對大型國際雕塑作品的徵件競
賽,麗寶文化藝術基金會自2011 年舉辦至今已邁入第三屆,今年不論在徵件規模、獎勵辦法、
巡迴展覽等等部份,均擴大舉辦,麗寶文化藝術基金會用心提升賽制的層次,也積極擴展雕塑獎
的格局,目的除了鼓勵創作,也期望藉此培育新ㄧ代的藝術家,促進台灣在地與國際文化接軌,
透過藝術的力量,營造一個優質的生活環境,建立台灣藝術文化的新價值!
「麗寶」秉持回饋社會的責任,積極推動建築生活美學,提倡雕塑藝術創作精神。本屆雕塑獎透
過原創之藝術語彙,使國際雕塑藝術創作在台灣交匯,期望讓藝術展覽走入民眾日常生活,達到
「藝術生活化,生活藝術化」的目的。
欲了解更多麗寶文化藝術基金會相關訊息,請瀏覽網站
www.lihpao.com.tw/foundation/foundation.htm

麗寶文化藝術基金會近年藝文活動
地區文化藝術推動
麗寶文化藝術基金會協助各地方政府推廣文化藝術展演活動,例如板橋文化音樂節、三峽藍染節、
基隆中元祭、鶯歌陶瓷嘉年華、國慶雙十河堤文化節、台北燈節、蘆洲音樂文化節、新莊感恩音
樂會、台中國際薩克斯風大賽…等等。
建築美學
2009~2015 年麗寶文化藝術基金會主辦「麗寶幸福建築系列講座」,並與新北市政府文化局、
學學文創等單位合作,七年來已邀請33 位建築、設計、藝術、文創等專業領域之專家學者進行精
彩演講,累計5 千多位民眾共襄盛舉。
藝文教育
2009~2015 年
 麗寶文化藝術基金會與新北市政府教育局合作,扎根文化藝術種子,推動「幸福家」觀念,
鼓勵每位小朋友用心感受每個家庭獨特的幸福。 「美麗寶島幸福家」藝文徵件活動舉辦七年
來,已超過3900多名國小學童參加,共455人獲獎。麗寶文化藝術基金會將得獎作品編輯成
冊,出版< 美麗寶島幸福家作品輯>,致贈各國民小學與圖書館收藏。
2015年
 贊助國立台灣師範大學第一屆「師大藝磚節」活動贊助亞細亞現代雕塑家協會「有也。無也。」
第23 屆作品年展
2013年
 贊助高雄「FORMOSA 雕塑雙年展」贊助國立臺灣藝術大學雕塑學系國際袖珍雕塑展、美術
學院雕塑展
歷年公益關懷
 贊助新北市政府「新住民火炬計畫」
 贊助「賽德 克‧ 巴萊」 林口霧社街復原暨體驗教育計畫
 贊助國家兩廳院「藝術零距離」圓夢計畫
 贊助彰化縣立秀水國民中學圖書館整建工程
 贊助國立清華大學「馬來西亞志工團」海外服務物資
 與伊甸社會福利基金會、兒童福利聯盟、自閉症服務協進會、中華民國肌萎縮症病友協會等
多數公益社福團體攜手關懷弱勢族群。

關於英國文化協會
英國文化協會於1934年由英國皇室設立,為英國專責推廣藝術文化關係並創造教育機會的國際組
織,在全球超過100個國家擁有160個辦公室,藉由創意與知識的交流,促進不同族群與文化之間
的信任與合作。英國文化協會台灣辦公室於1996年在臺北成立,致力於臺英雙方之藝文活動及學
術交流,建立彼此之間的互惠合作關係。
近幾年來,英國文化協會促成臺灣各藝文單位、公家機關與英國知名藝文團體與藝術家交流,如
英國皇家芭蕾舞團、莎士比亞環球劇院、英國莎士比亞故居信託基金會、以及愛丁堡藝穗節。除
此之外,英國文化協會也協助臺灣企業舉辦國際藝術獎項,將臺灣推向國際藝術文化舞台。2015
年英國文化協會更是邀請9位英國新銳設計師來臺,於「臺北魅力展」展出繽紛多彩,顛覆傳統的
英倫當代時尚設計。
在未來,英國文化協會將持續努力與臺灣夥伴建立藝術與文創產業的合作契機,推廣表演藝術、
文學、設計、電影、視覺藝術以及文化創意技能的交流與發展,與臺灣觀眾分享英國精彩多樣且
創意十足的文化風貌。更多英國文化協會相關訊息,請瀏覽網站
www.britishcouncil.org.tw/programmes/arts

評審團簡介 Selection Committee
彼得‧ 摩瑞Peter Murray
彼得‧ 摩瑞於1977年擔任布勒頓赫爾學院藝術教育系副教授時即創立了約克夏郡雕塑公園,園區
占地500英畝,為18世紀保留至今的綠地。該雕塑公園是現代與當代雕塑的國際藝術中心,每年
有40萬名遊客造訪。
彼得‧ 摩瑞經常於世界各地授課、參與會議、舉辦展覽及擔任雕塑專案顧問,也已和數百名藝術
家合作並籌畫大型展覽,包括Antony Gormley、David Nash 等,並致力於協助年輕藝術家推動
建築與雕塑案,促使約克夏郡雕塑公園成為大型的國際藝術機構。他曾為期刊及出版品撰文、並
接受電視及廣播專訪,也曾擔
任包含傑伍德雕塑獎在內之各項比賽評審。
彼得‧ 摩瑞於1988年獲頒國家藝術收藏基金獎、1989年獲頒皇家藝術學院名譽研究員資格,也獲
選為英國皇家雕塑協會會員,並由多所大學頒發榮譽博士學位。英國政府特授予OBE及CBE勳章
以肯定他對藝術服務之貢獻。
克里斯‧ 韋恩萊特Chris Wainwright
克里斯‧ 韋恩萊特是環境攝影、表演藝術及裝置藝術領域的藝術家及策展人, 近期的展覽包含
2013年台北關渡美術館「Troubled Waters」、2013年英國倫敦Daiwa 基金會「A Catalogue of
Error's」、2013年英國新堡Laing 藝廊「Futureland Now」、2012-13年日本奈良平城宮「Between
Time and Space」等。他將於2015年11月於台北當代藝術館展開大型個展。
他最近為Cape Farewell 共同策劃了大型的國際巡迴展「U-n-fo-l-d」,介紹了23位藝術家針對
氣候變遷對環境影響之探討,從2009至2013年間,此巡迴展已造訪過維也納、倫敦、新堡、紐林、
利物浦、芝加哥、紐約及北京。目前他與日本東北地區合作Future Lab Tohoku 三年計畫,目標
是以藝術作品重建日本於2011年受地震及海嘯重創的東北地區。
克里斯目前擔任倫敦藝術大學副校長,也同時是切爾西藝術與設計學院、坎伯韋爾藝術學院和溫
布頓藝術學院的院長。
芭芭拉‧ 艾倫 Barbara Allen
現為飯店及休閒設計公司Hospitality & Leisure Asia (HLA) 的執行長,該公司提供飯店與休閒產
業建築及室內設計服務,於香港、吉隆坡、阿布達比設有辦公室。芭芭拉也兼任Harvest Moon
Sdn Bhd 藝術顧問公司總監,主持飯店業藝術開發業務。HLA 承辦之設計專案均極富聲望,包
含宮殿、飯店、度假村、文化中心等,也為客戶親自執行藝術的挑選、交易及投資。
芭芭拉於1981 年加入美國室內設計師協會、1983 年加入美國國家歷史保護協會,她也是美國
綠建築協會會員及香港設計師協會創始會員。
曾於美國聖地牙哥州立大學主修藝術史、建築、室內設計和家具設計,之後則至倫敦Inchbald 設
計學校研究18 世紀的繪畫技術。芭芭拉來自多重文化背景的家庭,擁有日本、美國及英國血統。
麥可‧ 歐西里 Miguel Ausili
麥可‧ 歐西里生於阿根廷布宜諾斯艾利斯,旅居義大利長達30年以上,藝術的薰陶源自於阿根廷
國家美術學院和雕塑家Aurelio Macchi 一同學習,之後因獲得義大利卡拉拉市頒與獎學金而至
卡拉拉美術學院學習大理石工藝技巧,並先後於米蘭美術學院、都靈、威尼斯及巴勒莫市教導雕
塑。麥可‧ 歐西里目前是卡拉拉市美術學院雕塑系教授,主要研究包括雕塑材料之再生使用及藝
術與自然之關係。近年來他與學生陸續籌劃的雕塑展均與自然環境有關。
麥可‧ 歐西里作品廣泛收藏及展示於義大利、法國、德國、西班牙、羅馬尼亞和日本的博物館與
公共空間。他也經常參與聯展,包含阿雷斯雙年雕塑展以及多項展覽。
伊斯特凡‧ 艾諾斯 István Erőss
藝術家伊斯特凡‧ 艾諾斯現任匈牙利艾斯特哈茲學院(Eszterházy Károly College)副教授及視
覺藝術系系主任,於1995年 畢業於匈牙利藝術大學,主修版畫,並於維也納藝術學院、海牙皇
家藝術學院及馬賽藝術學院深造,於2009年取得文學博士學位。他曾多次訪問世界各國,包含以
客座藝術家、參展人、講師
或策展人身分參與藝術營或研討會,前後拜訪非洲四次、亞洲21次。他是SZEGMENS 國際交流
展的參展人及主辦者,該系列展覽至今已於匈牙利及數個亞洲國家舉辦26場活動,所創作的形式
囊括了版畫、裝置藝術及表演藝術。過去十年他主要的創作集中於自然環境藝術。
黃文叡 Terry Huang
現任美商摩帝富藝術集團(Motif Art Group)副總裁兼亞洲區總經理,涉入中國一、二級城市文
創 園 區 的 規 劃 和 開 發 。 曾 於 紐 約 大 學 ( NYU ) 等 名 校 擔 任 教 授 , 並 取 得 美 國 耶 魯 大 學
(YaleUniversity)終身教授職,現於該校跨科系研究院擔任兼任教授,也曾於英國牛津大學
(Oxford University)擔任客座教授一年,講授視覺藝術符號學。於2002至2003年間,曾擔任
紐約現代美術館(MoMA)Acquisition Fund 資深經理人,除負責美術館館藏品的選購及出售
外,同時負責執行JP Morgan Chase Funds 針對紐約現代美術館所做的贊助計畫。也曾擔任美
國國家文藝基金會(NEA)預算審查委員,負責美國國家年度文化預算的審查,並參與國家文化
與藝術發展策略之審定。
波多野泉Izumi Hatano
波多野泉教授現為日本沖繩縣立藝術大學圖書館及博物館館長顧問,1982年畢業於東京藝術大學
雕塑系,1984年完成藝術學院碩士學位,至1996年以前一直任教於東京藝術大學擔任講師,自
1997年起至今均任教於沖繩縣立藝術大學。他於1999年受邀以國際榮譽藝術家及副教授身分任
教於國立台灣藝術大學。
波多野泉為雕塑家,近期展覽包括台北世貿展演館「台北新藝術博覽會」、苗栗三義木雕博物館
「三義國際木雕藝術節」、日本竹田城藝術村博物館「個展 - 波多野泉 - 木與漆」、首爾藝術
中心Hangaram 博物館「2011首爾國際雕塑節」、台灣高苑科技大學藝文中心「雕塑的材質與
媒介」等。
波多野泉與台灣的大學及藝術界合作過多次交流展,自1997年後以沖繩縣當代雕塑協會理事長身
分致力規劃與推動各項交流活動。
石瑞仁 J.J. Shih
國立台灣師範大學美術系畢業,美國費城天普大學藝術史研究所碩士。曾任臺北市立美術館展覽
組組長及副研究員,現任國立臺北藝術大學專任講師,及臺北當代藝術館執行總監,並擔任帝門
藝術教育基金會董事、文建會公共藝術委員、國家文化藝術基金會美術類獎助審查委員、台新銀
行文化藝術基金會藝術總監等義
務性職務。2008年起迄今,擔任臺北當代藝術館執行總監。
黃才郎 Tsai-Lang Huang
前國立臺灣美術館館長,推動雙年展如「亞洲藝術雙年展」、「台灣報到-台灣美術雙年展」、
「威尼斯建築雙年展台灣館」、「國際版畫雙年展」等大展;2013年起陸續辦理當代國際級藝術
大師Tony Cragg 與Agam 等個展,展現國美館推動國際接軌的成果;推動建立二十五年典藏品
點檢作業、規劃辦理「國美無雙-館藏精品常設展」,以常態展示方式呈現國美館典藏精華;規
劃「臺灣美術家刺客列傳」系列,展現戰後臺灣美術家作品風貌與美術發展脈絡;規劃設立藝術
銀行,推動藝術品租賃案美化公共空間等。
謝佩霓 Pei-Ni Hsieh
現任中華民國博物館學會(Chinese Museum Association)理事、國際藝評人協會台灣分會
(AICA-Taiwan)理事、文化部、國藝會與多縣市委員會審查委員、中華文物學會榮譽顧問等。
作為策展人,曾榮獲捷克、義大利政府頒贈國家勳章。曾擔任威尼斯建築雙年展台灣館首度參展
的策展人外,也應邀參與代表性展覽包括於米蘭、巴黎、伊斯坦堡、上海、北京、大邱、高雄等
地辦理的雙年展與藝術節。
作為藝評人,中、外文著述常見於海內外展覽專輯及期刊雜誌,亦經常應邀於國內及國際研討會
發表論述,並擔任年會主講人、主持人與評論人。作為藝術史工作者,其除以研究廿世紀中國、
台灣美術史第一手資料見稱,另著有藝術家傳記獲獎。
陳愷璜Kai-Huang Chen
當代跨領域觀念藝術家,長期關注在「文化本體論之不可能性的變異上」、 「不斷轉向的誤衍主
體」(Trans-subjectivity paralogic)與「藝術社會關係介入」( Intervention Arts)等社會性
美學與當代政治、歷史交錯議題的認同探索,亦為台灣獨立美學的實創者。於1980年代末期,即
開始以跨媒體藝術形式(觀
念行為、影像與新媒體、跨領域多媒材空間裝置)進行與此議題相呼應的計畫型(Art Projects)
創作。總體稱為:「文化測量」(Measurement of Inter-Cultures / Culture Measuring)。是
總體環境轉換與跨領域觀念藝術家(創作與演策)、藝術社會運動實踐者也同時是藝術教育者、
文化顧問與微型機構興革者的多重身份。持續進行上述藝術的計劃性創作外,目前也是臺北藝術
大學藝術跨域研究所教授、美術學院院長、財團法人三芝文化基金會董事長;主要的創作生活、
展演與工作都在台北。
楊柏林 Po-Lin Yang
山石山象負責人、中國文化大學駐校藝術家並任臺灣亞細亞現代雕刻協會理事長。
近幾年從事公共藝術創作,其作品廣受歡迎,獲得各界肯定。創作思想來自於童年的記憶與對土
地及自然的情感,作品風格溫潤樸素,具有素人雅意。
劉柏村 Po-Chun Liu
法國國立巴黎高等藝術學院雕塑系碩士
現任國立台灣藝術大學雕塑系專任教授、東和鋼鐵文化基金會執行長
曾任國立台灣藝術大學雕塑學系兩任系主任、國立台灣藝術大學藝術博物館館長。
2008年中山文藝創作獎、2010年台北市客家委員會主題公園公共藝術首獎、2010年作品「金剛
樹」典藏陳列於韓國利川 Water-side Park、2012 年獲吳三連文化藝術獎、2015年作品「龍」
榮獲法國文化部巴黎人類學博物館典藏、2015年作品「城市變身」、「吻」、「生之頌」榮獲義
大利羅馬A. Rome Lifestyle Hotel 典藏永久陳列於飯店戶外廣場。
隋建國 Jiang-Guo Sui
隋建國1956年生於山東省青島市,1984年畢業於山東藝術學院美術系,獲得學士學位,1989年
畢業於中央美術學院雕塑系,獲得碩士學位,現為中央美術學院雕塑系教授。

學術協辦簡介 Academic Partners
國立臺灣藝術大學雕塑學系
Department of Sculpture, National Taiwan University of Arts
雕塑系為目前國內大專院校中唯一專研於雕塑藝術的科系。創立至今幾近五十年,培育了九百多
位專業人才,為現今雕塑藝術的主幹。
雕塑學系之課程主要落實於文化特質以及現代藝術創作人才之培養。注重美術史論之鑽研,術科
則分基礎培育與專業養成,學生可以依自我興趣專精研究,居於「繼承傳統特質與走向現代藝術
創作」的教育理念,兼及學術的並容性,同時肩負美育推展,服務社會之使命,期能反應國際與
本土的多元性藝術,為我國雕塑藝術之延續與創新探索契機。
國立臺北藝術大學美術學院
School of Fine Arts, Taipei National University of the Arts
在多元的師資培育激盪之下,近年來美術學院藝術新秀輩出,展現出引人矚目的創作能量,不僅
共同見證臺灣當代藝術的渾厚潛力,同時也持續引領臺灣當代藝術走上國際藝壇。本學院包含創
作、理論等藝術領域。院內系所課程安排,強調互動交流與跨域統整,培養學生具備寬廣的人文
視野及精進的視覺藝術專業能力,而各類特殊與專業教室、南北畫廊、地下美術館及專業級的關
渡美術館,提供師生交互學習與創作呈現的實習演練。
英國倫敦藝術大學
University of the Arts London
英國倫敦藝術大學是歐洲最大的專業藝術設計大學,設有六個頂尖的學院,包含坎伯韋爾藝術學
院、中央聖馬丁藝術與設計學院、切爾西藝術與設計學院、倫敦傳播學院、倫敦時尚學院及溫布
頓藝術學院。本校於文化及創意產業栽培眾多傑出人才,包含12位特納獎(Turner Prize)得主
及該獎超過半數之入圍者、17位英國年度設計師中有10位為本校校友、於倫敦時裝週發表的設計
師超過一半畢業於本校、30位傑伍德攝影獎(Jerwood Photography Award)得主有12位曾於
本校就讀,還有菲利浦親王設計獎(Prince Phillip Designer Prize)有七位得主均來自本校。
日本沖繩縣立藝術大學
Okinawa Prefectural University of Arts
沖繩縣立藝術大學成立宗旨為對美學無止盡的追求,包含沖繩創造的獨特文化之美與人類普世價
值之美。依據此宗旨,本校設有藝術工藝學院、音樂學院、研究所、研究中心、圖書藝術資料館。
因位於東亞及太平洋樞紐之地理位置,本校與中國大陸、台灣、泰國、印尼、義大利、德國及英
國共計十所大學簽署了藝術與學術交流合作備忘錄,並積極鼓勵學生出國深造。
本校創校邁入第29 週年,所栽培之3,300 名畢業生目前積極從事創意產業相關工作,包含音樂、
表演藝術、工藝藝術等領域。
匈牙利艾斯特哈茲卡羅利學院- 視覺藝術學系
Department of Visual Arts, Eszterházy Károly College
匈牙利艾斯特哈茲卡羅利學院成立於1948年,是一所致力於優質教育與具前瞻性的學院,並秉持
艾格爾市過去250年對於高等教育的堅持與智慧傳承。此學院目前學生數超過一萬名,教職員共
650位,於人文、經濟、社會科學、自然科學、運動科學、藝術等領域開設30個學士學位課程,
同時也提供高等的技職學程及中學後進修及研究所課程,未來也將開設教育碩士學位課程。




第三屆麗寶國際雕塑雙年獎
THE 3rd LIH PAO INTERNATIONAL SCULPTURE BIENNIAL AWARDS
Aim to create an environment with no barriers between life and art. Through this
international opportunity, we hope to provide a platform on which young emerging talent
may thrive with their creative ideas, and which may encourage international cultural
exchange.
Competition Theme
Virtue and order upon the Universe
Brings harmony to Mother Earth
With the development of a script comes civilization
Culture evolves and transforms
Nowadays a script is not merely a way to communicate knowledge but also a form to
present artistic culture and aesthetic design. To celebrate the scripts' evolvement in
civilisation, the topic of the 2015 Biennial Awards is to explore the connection and the
transformation between scripts and cultural change in our generation.
Entry Criteria
The competition is open to both Taiwanese (R.O.C.) local and international artists.
1. The submitted work must be the artist's own creation. A maximum of two submissions
are allowed per individual.
2. If the submitted work is found to infringe upon intellectual property right and is found
guilty by the court, the prize winner shall return the prize money received. The organiser
shall not be held accountable for such infringement. If the submitted work is found to be
in violation of any of the following conditions, the participant will be
disqualified and disallowed from competition for the following four years.
a. The submitted work must be an original creation, not plagiarised, copied, or otherwise
submitted under false pretences.
b. We do not accept work that has been entered into other competitions,
has previously won an award in any international art exhibitions or competitions, or has
been entered into an international exhibition of a competitive nature (except those held by
an educational institution).
Registration
1. Registration shall be made online via www.lihpao-sculpture.com Please follow the
registration guidelines and provide the basic information, upload the submitted work and
accept the agreement. 6 photographs of the submitted work shall be uploaded, including
the front, back, left and right profiles, and a top view photograph and a 3D photograph. An
additional 2-4 photographs of the participant's other works in the recent two years shall
also be uploaded.
2. Every artist needs to submit a 3-minute video introducing his/her work in the format of
HD1280x720 and to upload this on YouTube. The content of the submitted video is not
restricted. After the upload, please provide this YouTube web link in the specified column
when making the online registration. Please note, without the You-Tube web link, the
registration is not complete and thus is not eligible for entering the competition.
Registration Rules
1. Only photographs of the actual work model shall be uploaded. Sketches, 3D computer
simulation or other photographs not meeting the criteria will not be accepted. The
organiser reserves the right to accept a registration or refuse it.
2. The concept of the submitted work shall be written in 100 to 300 words, genre not
restricted. Every photograph file of the work shall be under 1MB in size and in JPEG format,
with a resolution 300dpi. The file name of each photograph shall clearly state the artwork
title and viewing angle, e.g. Newborn-Front View, Newborn-Back View, Newborn-Top View.
3. All files shall be uploaded together at once. Incomplete documents or incorrect formats
will not be uploaded successfully.
4. Once the registration is complete, a registration number will be sent by the system to
confirm receipt of the files. If the registration number is not received, please double check
if any information, document or photograph required for registration is missing, or contact
the organiser immediately.
Competition Timetable
1.Registration: 1 September~17:00, 31 December 2015
2. Announcement of Shortlisted Candidates: March 2016. Announcement will be made on
Lih Pao Cultural Arts Foundation, British Council in Taiwan and the Biennial Awards
websites.
3. Artwork Submission Period: 1 April~31 July 2016. Works not received by the deadline
will not be eligible for the consideration.
4. Announcement of Final Winners: September 2016. Announcement will be made on Lih
Pao Cultural Arts Foundation, British Council in Taiwan, and the Biennial Awards websites.
5. Award Ceremony: October 2016. Date and location are to be announced.
※Please note that the above timetable is subject to change, and any changes made will be
announced on www.lihpao-sculpture.com.
Jury Deliberation
1. Materials: Primarily metal, clay, wood, stone, FRP, and other durable materials should be
used. Dangerous materials are prohibited.
a. There are two panel reviews. In the first review, 20 artworks will be shortlisted to enter
the final review.
b. Combined dimensions of the shortlisted/submitted works must be in between 180cm
and 240cm. The size restriction does not apply to the size of the base of the work. Work of
which the combined dimensions do not meet the specified range shall be disqualified from
the competition.
2.Judging Criteria:
a.Theme interpretation 30%
b.Techniques 30%
c.Overall presentation 40%
Awards and Prizes
1. Gold Award : One winner ; prize money of NT$1,000,000 and atrophy and an award
certificate.
2. Silver Award : One winner ; prize money of NT$700,000 and a
trophy and an award certificate.
3. Bronze Award : One winner ; prize money of NT$500,000 and a
trophy and an award certificate.
4. Shortlisted Award : 17 winners ; prize money of NT$150,000 and anaward certificate.
5. Most Popular Exhibit Award : One winner ; prize money of
NT$30,000.
※During the stage of first review, all videos submitted by artists will be put online for the
public to vote for their favourite video, and the winner will be announced on
www.lihpaosculpture.
com.
※To encourage creation, above awards and prizes are subject to the quality of shortlisted
artworks. The organiser reserves the right to add awards or not to award any winners within
a given category if no entry is found to be of suitable merit.
※The regulations stipulate that Taiwanese award recipients winning prizes in excess of
NT$20,000 shall be subject to a 10% withholding income tax, to be automatically deducted
by the organiser, as well as a 2% supplementary health insurance premium. Non-Taiwanese
(R.O.C.) award recipients winning prizes in excess of NT$10,000 shall be subject to
automatic deduction of a 20% withholding income tax.
Wiring the Prize Money
1. Both international and local Taiwan prize winners are responsible to cover the handling
fee that the bank charges for wiring the prize money.
2. Prize money for international prize winners shall only be wired in the currency of the Euro,
the US Dollar or the RMB.
Subsidy for Shipping of Artworks
1. Other than Gold, Silver and Bronze Award winners, Lih Pao Cultural Arts Foundation
provides each 17 Shortlisted Award winners a subsidy of NT$10,000 to cover the shipping
cost of the artwork in addition to their prize money.
2. The shipping subsidy is wired together with the prize money.
Timetable of Exhibitions
1. Exhibition Tours of Awarded Works are as follows:
Taichung Tour: August~September 2016
Taipei Tour: October~November 2016
Kaohsiung Tour: December 2016
2. Exhibition locations and dates will be announced on
www.lihpao-sculpture.com
Artwork Property Rights
1. Awarded works of the 3rd Lih Pao International Sculpture Biennial Awards shall not be
returned to the winners and will remain permanently in the collection of the organiser; the
organiser will not offer any collection fee. The organiser reserves the right to collect the
works permanently and use the artworks without a fee.
2. The organiser reserves the right to reproduce or utilise collected works for relevant
purposes, such as photography, exhibition, editing, publication, research, promotion,
public display, as well as in various formats, such as video, digital and web content, print,
and promotional material. Such use is not restricted in terms of frequency or number of
use.
Contact Information
For enquiries, please contact
Taiwanese (R.O.C.) local artists: art@mail.lihpao.com.tw
International artists: 2015sculpture@britishcouncil.org.tw
Final interpretation of the rules and regulations stipulated in these guidelines will be made
in accordance with notifications from the organiser. The organiser retains the right to make
changes to these guidelines at any time, and shall duly announce any amendments on
www.lihpao-sculpture.com
About Lih Pao Cultural Arts Foundation
Lih Pao Cultural Arts Foundation (The Foundation) was founded in 2003 and has been
established by Lih Pao Group. It is dedicated to the promotion of activities in architecture,
education, arts, community building and charity with the objectives to promote art
exhibitions, to encourage development of local cultures and to introduce them to the
world. Through exchange of arts and partnership on arts projects, the Foundation made a
contribution to the prospect of Taiwan's culture and arts.
The Lih Pao International Sculpture Biennial Awards is a global event organised every two
years; it is Taiwan's first large-scale sculpture competition calling for entries to all artists
worldwide. This year marks the 3rd Biennial Awards since the First Biennial Awards in 2011.
The numbers of entries collected, the amount of incentives offered and the number of
exhibition tours organised have all been expanded this time. The Foundation has also
committed to more sophisticated competition rules and increased the profile of the
Awards to encourage more artworks from both seasoned and emerging artists. Moreover,
the Awards is a platform for young emerging artists to showcase their
talents and an opportunity for international exchanges, and also to help Taiwan develop
new values for local arts and culture.
Fulfilling corporate social responsibility, Lih Pao Group continues to encourage the
incorporation of aesthetics into everyday life and to promote creativity in sculpture making.
The Awards this year will be a focal point of the best sculptures in the world. It is hoped that
the exhibitions will bring arts closer to people and make arts part of everyday life. For more
information about the Foundation, please visit
www.lihpao.com.tw/foundation/foundation.htm

Recent Arts and Culture Events by Lih Pao Cultural Arts Foundation
Arts and cultural promotions with local governments
The Foundation worked with various local governments to promote and deliver culture and
arts events, including Panchiao Culture Festival, San-hsia Indigo Dyeing Festival, Keelung
Mid-Summer Ghost Festival, Yingge Ceramics Festival, The Double Tenth Day
Enbankments Culture Festival, Taipei Lantern Festival, Luzhou Culture Festival, Xinzhuang
Thanksgiving Concert, Taichung International Saxophone Competition.
Architectural Aesthetics
The Foundation organised the Lih Pao Architectural Creative Forum from 2009 to 2015. In
collaboration with various partners such as the Cultural Affairs Department, New Taipei City
Government and Xue Xue Institute, thirty-three experts and academics in the fields of
architecture, design, arts and creative industry have been invited to speak in the forums in
the past seven years and attracted more than 5,000 participants.
Culture and Arts Education
The Foundation has worked with Education Department, New TaipeiCity Government from
2009 to 2015 to promote arts education andthe "Happy Family" concept. Children were
encouraged to send intheir drawings on the theme of "Beautiful Taiwan, Happy Family."
More than 3,900 primary school students joined this activity with 455 children winning an
award. These outstanding artworks were collatedinto a collection by the Foundation, and
all of the primary schools and libraries were sent a copy of it.
In 2015, the Foundation sponsored The Art and Humanities Festival organised by the
National Taiwan Normal University. Sponsorship was also given to The Association of Asian
Contemporary Sculptors for organising the 23rd Exhibition on "Real vs. Virtual".
In 2013, the Foundation sponsored the Formosa Sculpture Biennial Exhibition in Kaohsiung
and the International Miniature Sculpture Exhibition and the Sculpture Exhibition
organised respectively by National Taiwan University of the Arts.
Other Charity Projects and Programmes
• New Inhabitants Torch Program of New Taipei City Government
• Liokou Wushe Street Scene Rehabilitation and experiential learning
for the film "Seediq Bale"
• Art Charity Project of the National Theater & Concert Hall
• Library Renovation Project of Hsiushui Junior High School in Changhua County
• Volunteers for Malaysia Project from the National Tsing Hua University
• Worked with Eden Social Welfare Foundation, Child Welfare League Foundation, the
Autism Services Association, Taiwan Muscular Dystrophy Association and other charitable
organisations for the benefits of the disadvantaged

About British Council
The British Council is the United Kingdom's international organization for cultural relations
and educational opportunities. Founded in London in 1934, we currently operate in over
100 countries and territories worldwide. The British Council Taiwan office was founded in
Taipei since 1996. The goal of our work is to promote the understanding and collaboration
between UK and Taiwan on arts and creative economy.
For our recent art works in Taiwan, we have been facilitating many collaborations between
mainstream local art partners and British arts organisations and artists, such as The Royal
Ballet, Shakespeare's Globe, Shakespeare Birthplace Trust, selected performing groups
from the Edinburgh Fringe Festival, and so on, introducing the best of British visual arts,
architecture, design, performing arts, film, literature and creative skill development to
Taiwan. In 2015, unprecedentedly we invited 9 British fashion talents to showcase their
collections, hoping to inject creative and diverse concepts into the local fashion industry
and enhance UK-Taiwan collaborations by creating more new
audiences and mutual understanding.
For more information about the British Council, please visit
www.britishcouncil.org.tw/en/programmes/arts

Selection Committee
Peter Murray
In 1977, whilst Principal Lecturer in Art Education at Bretton Hall College, Peter Murray
founded Yorkshire Sculpture Park. Set within 500 acres of 18th century parkland, YSP is an
international centre for modern and contemporary sculpture, enjoyed by 400K visitors
each year.
Since then he has travelled extensively throughout the world advising on sculpture projects,
lecturing and contributing to conferences and organising exhibitions. He has worked with
hundreds of artists and organised major exhibitions including Antony Gormley, David Nash,
Henry Moore, along with instigating residencies and projects for younger artists helping to
establish YSP as a major international arts organisation. He
has written for journals and publications and has contributed to television and radio
programmes. He has also been a judge for various awards including the Jerwood Sculpture
Prize.
In 1988 Peter was awarded the National Arts Collection Fund Award and in 1989 made
Honorary Fellow of the Royal College of Art. He has been elected Fellow of the Royal
Society of British Sculptors and was awarded Honorary Doctorates from the University of
Lincolnshire and North Humberside and the University of Huddersfield. He has been
awarded an OBE and CBE for services to the arts.
Chris Wainwright
Chris Wainwright is an artist and curator who's practice is located in environmental
photography, performance and installation. His recent exhibitions include: "Troubled
Waters", Kuandu Museum of Fine Art, Taipei, Taiwan, 2013: "A Catalogue of Error's", The
Diawa Foundation, London, 2013: "Futureland Now", The Laing Art Gallery, Newcastle, UK,
2012-13: "Between Time and Space", Heijo Palace, Nara, Japan. He has a major forthcoming
solo exhibition at Museum of Contemporary Art Taipei, Taiwan in 2015.
He recently co-curated a major international touring exhibition for Cape Farewell called
"U-n-f-o-l-d" that profiles the work of 23 artists addressing aspects of climate change. The
exhibition has been shown in Vienna, London, Newcastle, Newlyn, Liverpool,
Chicago, New York and Beijing, 2009-2013. Presently he is involved in a three year project
with Future Lab Tohoku, to establish an art based contribution to the rebuilding and
cultural enhancement of the Tohoku Region of Japan, devastated by the 2011 tsunami and
earthquake.
He is also a Professor and Pro Vice-Chancellor of the University of the Arts London and
Head of Chelsea, Camberwell and Wimbledon Colleges of Art.
Barbara Allen
Barbara Allen is the CEO of Hospitality & Leisure Asia. HLA provides architectural and
interior design services to the hospitality industry, with offices in Hong Kong, Kuala Lumpur
and Abu Dhabi, UAE. Barbara also sits as a Director of Harvest Moon Sdn Bhd which is an
art consultancy company created as an adjunct to HLA for Hotel Art programming. As HLA
works on prestigious projects including Palaces, Hotels, Resorts
and Cultural Centres, Barbara is directly involved in the selection, commissioning, and
placement of investment Art for her clients.
Barbara has been a member of the American Society of Interior Designers since 1981, the
National Historic Preservation Society since 1983, a member of the United States Green
Building Council, a member of CODA, and was a founding member of the Hong Kong
Society of Designers.
She studied History of Art, Architecture, Interior Design and Furniture Design at San Diego
State University, and later attended Inchbald School of Design in London to study 18th
century paint techniques. Barbara is truly multi-cultural; half Japanese and half American,
with grandparents from England.
Miguel Ausili
Miguel Ausili was born in Buenos Aires in Argentina and lived in Italy for more than 30 years.
His artistic training began at the Escuela Nacional de Bellas Artes in his city, with the
sculptor Aurelio Macchi and continued at the Academy of Fine Arts in Carrara. He arrived
in Carrara with a scholarship to learn the technique of marble processing. He taught
sculpture at the Academy of Fine Arts in Milan, Turin, Venice and Palermo. He
is currently professor of sculpture at the Academy of Fine Arts in Carrara, his teaching is
directed to the recycling of materials in sculpture and the relationship between art and
nature. In recent years he has been organising events of environmental sculpture in natural
environments with his students.
As an artist he often exhibited in group exhibitions including: Biennale di Scultura di Arese,
Scultura di immagine. Certosa di Calci in Pisa; Premio Ternate in Monza; Idiomi della
scultura contemporanea in Sommacampagna; Ausonia at Centro di Sarro, Rome; Memorial
di Santa Giulia in Modena; Rien ne va plus, Castello di Lagopesole in Potenza; Premio
Sulmona; Tre strade nella Scultura and many others. His works are in museums and public
spaces in Italy, France, Germany, Spain, Romania and Japan.
István Erőss
Artist István Erőss works at Eszterházy Károly College, Eger, as associate professor and head
of the Department of Visual Arts. He graduated from the Hungarian University of Fine Arts
in 1995 as a printmaker, but he also attended other institutions, such as the Academy of
Fine Arts Vienna, the Royal Academy of Art (The Hague) and the College of Fine Arts in
Marseille. He defended his DLA thesis in 2009. He has taken numerous professional trips
to remote countries: he has been to Africa four times and to Asia twenty-one times as a
guest artist, exhibitor, lecturer or curator of different artists' camps
and symposia. He is exhibitor and organiser of the series of international exchange
exhibitions entitled SZEGMENS (SEGMENT), consisting of twenty six events held in
Hungary and several Asian countries up to now. He works in different genres ranging from
printmaking through installation to performance. In the last ten years he has mainly
focused on creating nature art works.
Terry Huang
Dr. Terry Huang, managing partner and vice-president of Motif Art Group, also head of
Group's Asian-Pacific region, overseeing the issue and management of art-related financial
products. He initiated several art-related financial products such as Art Fund, Fixed Asset
Management, Art as Collateral, and Art as a vehicle for Asset Allocation into Asian-Pacific
region. He also participates in the strategic planning, designing, and
developing of several cultural and creative parks in the major cities in China. Dr. Huang
grew up in Taiwan, awarded a Ph.D. in History of Modern Art from Harvard University and
an MS in Arts Administration and an MA in Art History from Boston
University. He previously served as the faculty at New York University and held a forum of
Semiotics of Visual Languages at Oxford University. He is a tenured professor at Yale
University and had held fellowships from Getty Fellowship / Whitney Humanities Center
and Mellon Fellowship. Between 2002 and 2003, he served as a panel advisor overseeing
and managing the Acquisition Funds for the Museum of Modern Art in New York (MoMA),
while associated with JPMorgan Chase Funds for the Museum's expansion project.
Meanwhile, he also served as panel advisor at National Endowment for the
Arts (NEA)'s board, brought considerable expertise and former operating experience into
the reviews over cultural-related budget and expenses.
Izumi Hatano
Professor Izumi Hatano is Advisor to the President and Director of the University Library
and Arts Museum of Okinawa Prefectural University of Arts now. He graduated from Tokyo
University of the Arts (sculpture department) in 1982, and completed Master's
Program (Graduate School of Art) in 1984. He instructed as a lecturer in Tokyo University
of the Arts until 1996 and teaches in Okinawa Prefectural University of Arts from 1997 and
reaches it at the present. In 1999, he stayed and taught in National Taiwan University of
Arts as an invitation foreigner honorary member artist and associate professor.
As an sculptor, his recent main exhibitions include "Art Revolution Taipei" at Taipei Show
Hall; "Sanyi International Woodcarving Art Festival" at Sanyi Woodcarving Museum, Miaoli
County in Taiwan; "Solo Show-HATANO IZUMI- Wood and Urushi" at Asago Art Village
Museum, Hyogo, Japan; "International Sculpture Festa 2011 in Seoul" at The Hangaram Art
Museum, Seoul Arts Center; "Sculpture Field - Substance and Medium" at Kao Yuan
University Art Center, Taiwan; and so on.
There are many international exchange exhibitions with the Taiwanese universities and the
society, and Izumi Hatano plans them as Director of the Contemporary Sculpture Society
in Okinawa (He is in post of chief director now) and contributes to cultural exchange after
1997.
J.J. Shih
J.J. Shih is the Executive Director of Museum of Contemporary Art Taipei (MOCA Taipei).
Born in 1954 in Nanto Taiwan, J.J. Shih holds a Bachelor's degree (Fine Arts), National
Taiwan University and a Master's degree, Graduate School of Art History, Temple University
(USA). Prior to taking up the directorship of Museum of Contemporary Art Taipei, J.J. Shih
was the Chief Curator, Exhibitions and Deputy Researcher, Taipei Fine Arts Museum.
Tsai-Lang Huang
Tsai-Lang Huang is the former Director of National Taiwan Museum of Fine Arts and
promoted a number of important biennial exhibitions, including the Asian Arts Biennial
Exhibition, Taiwan Biennial Fine Arts Exhibition, Architecture Biennial Exhibition in Venice –
Taiwan Pavilion, International Biennial Print Exhibition. From 2013 onwards, solo
exhibitions for international contemporary artists, including Tony Cragg and Agam,
demonstrated the achievements of international exchanges by the Museum under his
leadership. The Museum is now working on a few important projects, including promoting
a catalogue system of collections in the past 25 years, planning regular exhibits of the best
collections of the Museum, organizing a series of biographical exhibits of local artists to
present the works and art history development after the World War II, and setting up an art
bank to promote rental of collections to be displayed in public space.
Pei-Ni Hsieh
Born in Taichung, Taiwan in 1966, Pei-Ni Beatrice Hsieh is the former director of the
Kaohsiung Museum of Fine Arts. She is also appointed as the committee member for
various councils for art and cultural affairs on both municipal and national levels as well as
the trustee for art endowments and foundations in Taiwan. Hsieh serves as the board
member at the Chinese Association of Museums and AICA-Taiwan. She sits in the
advisory boards for art museums to be opened in Tainan, Taichung, New Taipei City and
Chiayi.
As an art curator, Hsieh was the chief curator of the National Taiwan Museum of Arts, and
was also the Chief of its Office for International & Public Relations. In her curatorial
practices, Hsieh has been credited with dozens of local and international exhibitions held
in leading art institutes in different continents. She was best known for presenting the
Taiwan Pavilion at the Venice Architecture Biennial.
As an art critic and historian credited with award-winning publications, Hsieh has
constantly published essays and articles in periodicals, magazines and catalogues in both
Chinese and foreign languages over the last two decades. Hsieh has been invited by
overseas universities and institutes such like UNESCO-ICOM's sub committees, AICA, AAM,
PAA and by governments of USA, France, Australia and so on, she was also awarded with
the Decoration of Masarek by the Czech Republic and decorated by Italian government in
2014.
Kai-Huang Chen
Kai-Huang Chen, a practitioner and innovator in interdisciplinary aesthetics, specializes in
concepts for art and has a long focus on the "variation of impossibility in cultural ontology,"
"Trans-subjectivity paralogic," and "Intervention Arts." His research interests include
aesthetics and the society, contemporary political science and identification with historic
interlocks.
Toward the end of 1980s, he started art projects corresponding to the theme of art work
using multiple media, incorporating behavior, image and new media, interdisciplinary
multi-media installation, all of which is Measurement of Inter-Cultures or Culture
Measuring. He has multiple roles – an interdisciplinary artist, an innovator & curator, an art
social movement practitioner, a culture advisor and an advocate for micro-organisation
reforms. In addition to these planned work, he is currently a professor in postgraduate
interdisciplinary research and the Dean of College of Fine Arts, Taipei National University
of the Arts. He is also the Chairman of Sanzhi Culture Foundation. His main creative works,
exhibits and teaching posts are in Taipei.
Po-Lin Yang
Yang is currently the owner of 33 Elephant International Art Inc., chairman of Taiwan
Association of Asian Contemporary Sculptors, and organiser of Taiwan, Japan and Korea
Sculpture Exchange Exhibition.
As a prolific creator, Yang's works include "Conception, Heaven and Earth, Flying Seed"
series, "Out of the Earth," "Sun Rises from the East," "The Dance of Flame," "Spring is
Coming," "Island," and "Macro Bar Code." In 2009 he just won Taipei Air Control Center,
Civil Aeronautics Administration, MOTC, with "Restricted Flight" in 1st place. In addition,
constant presentations have also been seen in gallery, public arts, landscape design,
architecture panning, and other fine arts, and a frequent participant in various international
exhibitions.
Po-Chun Liu
Liu holds a Master's degree in Sculpture at École Nationale Supérieux des Beaux Arts, Paris,
France. He is a professor in Department of Sculpture, National Taiwan University of Arts
and also the Chief Executive of Tung Ho Steel Enterprise Foundation. He was once
appointed as the Director at the National Taiwan University of Arts for two school terms
and the Director of Art Museum at National Taiwan University of Arts.
His awards include:
• 2008 Zhong-shan Arts Awards
• First Prize in 2010 Taipei Hakka Affairs Commission Theme Park Public Arts
• 2010 "Steel Forest" presentation at Water-side Park in Korea
• 2012 Wu San Lien Arts Awards
• 2015 Art work "Dragon" was collected by the Museum of Anthropology in Paris, France
• 2015 Art works "Transformed City," "Kiss," and "Song for Life" were collected by A. Rome
Lifestyle Hotel and displayed at the hotel square
Jiang-Guo Sui
Born in Qingdao, Shandong Province, China, in 1956, Sui received his Bachelor's degree in
Fine Arts from Shandong University of Arts. In 1989, he earned a Master's degree in
Sculpture from China Central Academy of Fine Arts where he is currently Professor in the
Department of Sculpture.
Academic Partners
Department of Sculpture, National Taiwan University of Arts
The Department of Sculpture is the only department which focuses on the art of sculpture
in Taiwan. Since the 1960s, the department has had more than 900 graduates and become
a main character of sculpture today in Taiwan.
We impart to students the knowledge of sculptural culture and professional art through
academic research and study, making use of the qualities of Eastern art in the context of
western sculpture form. Our curriculum structure allows students to create their own field
of study through course selection rather than arbitrary division into study groups. Students
then proceed to refined modern sculpture workshops in "Sculpture", "Metalworking",
"Woodcarving", "Stone Carving", and "Mixed Media."
We invite teachers from around the world to make students realise the principle of art
creation in different eras, regions and historical backgrounds through the international
exchange.
School of Fine Arts, Taipei National University of the Arts
The School of Fine Arts has produced many young artists whose creative talents were
unleashed under the guidance of a diverse cohort of artists, teachers and researchers. It
continues to be instrumental in developing the potential of Taiwan's contemporary art,
while situating Taiwanese art in the international context. The School offers courses that
include both practical and studio-based work, and theoretical research. The curriculum
emphasises interdepartmental interaction and interdisciplinary integration.
University of the Arts London
University of the Arts London (UAL) is Europe's largest specialist art and design university.
Its unique creative community is made up of six distinctive and distinguished Colleges:
Camberwell College of Arts, Central Saint Martins, Chelsea College of Arts, London College
of Communication, London College of Fashion and Wimbledon College of Arts. Renowned
names in the cultural and creative sectors produced by the University include 12 Turner
prize winners and over half of all nominees, 10 out of 17 fashion designers named British
Designer of the Year, more than half of the designers showcased in London Fashion Week,
12 out of 30 winners of the Jerwood Photography Award and seven winners of the Prince
Philip Designers Prize.
Okinawa Prefectural University of Arts
Okinawa Prefectural University of Arts was founded on the principle of the relentless
pursuit of beauty: both the distinctive beauty created by Okinawan culture, and the
universal beauty of humankind. In accordance with that principle, we are a comprehensive
arts school consisting of a Faculty of Arts and Crafts, a Faculty of Music, graduate schools,
a Research Institute, and a University Library and Arts Museum. Taking advantage of our
geographical position at the crossroads of East Asia and the Pacific region, we have entered
into agreements for artistic and scholarly exchange with ten universities in China, Taiwan,
Thailand, Indonesia, Italy, Germany and the United Kingdom, and we actively encourage
students to study abroad.
This year marks our 29th anniversary. Thus far, approximately 3,300 graduates have
completed their studies and are now actively engaged in creative endeavours, some
working as musicians and performers, some as artists, as well many more in other artistic
fields.
Department of Visual Arts, Eszterházy Károly College
Eszterházy Károly College is an institution committed to excellence in education and
positioning itself for the future. It achieves this while remaining faithful to its intellectual
heritage from when it was founded in 1948 as a Pedagogy College, and continuing the
two-and-a-half century old tradition of higher education in Eger. The College is presently
serving a student body of over 10,000 with a staff of 650. It offers 30 undergraduate BA and
BS programs in the fields of humanities, economics, social sciences, natural sciences, sports
science and the arts. Advanced level vocational programs, several post-secondary and
postgraduate programs are also available, and M.A. level teacher training is to be launched
in the near future.


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